Together they would paint landscapes en plein air rather than in the studio, in order to capture the transient effects of sunlight realistically. This approach, innovative at the time, resulted in paintings more colourful and more broadly painted than the public was accustomed to seeing.
Impressionism Series: 5 lectures
Degas – Feb 25
Monet – Mar 4
Renoir and Sisley – Mar 11
Cassatt & Morisot – Mar 18
Manet & Offenbach – Apr 1